So the link to this little video clip was posted on a Cure fan forum that I am on. We found it most amusing, so of course I had to share it here :-)
Beavis & Butthead Watch The Cure's "Caterpillar"
The impersonation of Robert's voice, and the "why doesn't he look at the camera?" Too funny.
星期三, 1月 17, 2007
星期三, 1月 03, 2007
The Smiths: Johnny Marr looks back
One of my good friends in Taipei, Genghiz Chen, forwarded me this great article. It's an interview of Johnny Marr reflecting on The Smiths, 20 years later (has it been that long?) I've re-printed the first section of the article here, as well as the link to the original. Thanks alot for the great article my friend! I hope you had a happy new year! Everyone enjoy the article!
The Smiths: Johnny Marr looks back
The Smiths' most celebrated album, The Queen Is Dead, was recorded 20 years ago. Here, their celebrated guitarist reflects
Published: 24 February 2006
When Morrissey and I started The Smiths, we thought pop music was the most important thing in the world. It was almost a spiritual thing for us, and because of that, we knew what it meant to be a fan. Our relationship was very emotional, complex and deep. We were with each other constantly for five years.
The Queen Is Dead was our third album and we knew it had to be special. Our trajectory and gone up from day one, but although we were enjoying massive critical and commercial success, it had reached a plateau. I was thinking that if we wanted to be in the same league as The Who or The Beatles or The Rolling Stones, we had to do it now.
Read The Original Article Here
星期二, 1月 02, 2007
Roger O'Donnell Interview About Synths in The Cure
This relates to a post I made last month about enjoying Roger O'Donnell's (former keyboard player for The Cure) new album, entitled The Truth in Me. I found an interesting interview of Roger where he discusses the synths used on the legendary Cure album "Disintegration".
"The others may shout me down for this, but I think the Cure does a very keyboard-based show," O'Donnell points out. "When I joined, it was the first time that the band had an actual dedicated keyboard player who didn't do anything but play keyboards. It opened up the arrangements, and allowed keyboards to play their proper role. Before, they held more of a secondary role. Now they're an equal part of the group. In fact, everything seems to be hinged on the keyboards. This allows Porl [Thompson] to play guitar all of the time, and Robert to concentrate only on singing. It makes the band more whole."
Read the Entire Interview Here
"The others may shout me down for this, but I think the Cure does a very keyboard-based show," O'Donnell points out. "When I joined, it was the first time that the band had an actual dedicated keyboard player who didn't do anything but play keyboards. It opened up the arrangements, and allowed keyboards to play their proper role. Before, they held more of a secondary role. Now they're an equal part of the group. In fact, everything seems to be hinged on the keyboards. This allows Porl [Thompson] to play guitar all of the time, and Robert to concentrate only on singing. It makes the band more whole."
Read the Entire Interview Here
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